
“The movie and its lead characters emanate vibrancy, energy and sportiness; exactly the qualities represented by our XC90 R-Design. Hence the ideal integration of our brand and the movie,” said Paul De Vojis, managing director, Volvo Auto India, in a press release explaining the presence of the SUV in the movie ‘3 Idiots’.
‘Vibrancy’, ‘energy’ and ‘sportiness’ – exactly the qualities of the lead actor of ‘3 Idiots’, Aamir Khan. (The very same qualities used by Parle brand of biscuits endorsed by the same actor; playing a prank on the coach and free running dispersing free cheeky advice on eating healthy.) So, when it came to zeroing in on the synergies between the product placed (the R-Design) and the lead actor (Aamir), the company is bang on. But there is a catch: through the entire duration of the movie (two hours and fifty minutes) in not one scene is it shown Aamir in the car. In fact, the only scene where the star and car are in the same frame is the last one. Those who have seen the movie will remember that here too the actor was shown running away from it (yeah, the owner of the car – a guy a little short of the ‘vibrant, sporty and energetic’ qualities).
Of course, we all know the reason as to why Aamir maintained this safe distance from Volvo; he was till recently endorsing for rivals, Toyota. Whether he still does it remains not known. But what is known is that his endorsing the Innova hasn’t done much for the vehicle. Probably the company could rope him for the recently launched Fortuner (But be careful when they make him say ‘Fulltime 4 wheel drive’. He he he.) If this weren’t the case, Aamir would have made the best fit brand ambassador for the Swedish car-maker. No two thoughts here. And they could have added one more to the ‘Vibrancy, energy, sportiness’ DNA: ‘Class’ as well.
The press release mentioned also smacks of Paul’s worry along the precise same lines. Hence, as an after thought he has added that the film is ‘about the journey two friends undertake in their search for a third compatriot (sic!), played by Aamir Khan (saving grace). The backdrop of the movie is along the length and breadth of India, covering the beauty of the mountainous region of Ladakh….. (blah blah).” Almost reminded me of Che’s ‘Motorcycle Diaries’ and the ok-ok movie adaptation. The best landscape shot is the unending expanse of the clear blue sky against the snow-capped mountains as the car approaches Ladakh. Then, for anyone who visits any biker group website (I am with one and ride alone as well) and checks out their uploaded album, you will find that this particular shot is staple.
In terms of exposure in a Bollywood film (which Paul has rightly called a ‘cult’) it is win-win for Volvo: the vehicle does occupy lots of screen space and movie time. The director has also done a good job in showing the vehicle the way it should be – all muddied and slushed up, communicating vividly that it is an out-and-out rough-out vehicle. Now, if only the company would cease trying a piggy back on the star’s (already used) USPs.
Now for another statement in the same release: “Artistic integrity is crucial for successful brand placements and the utility of the product has to be woven properly into the script..” I have no idea what this one even tries to mean.
In a marked deviation from my earlier blogs where I tried to figure out the best-fit cars for the movies, here I will turn it around – and figure out a best fit movie for the R-Design. This is also because the car has been positioned articulately enough (vibrancy…etc) and the release sounds like the company scouted around for a movie to make a big screen debut. How better could they have done had they looked around better?
Not a single release from last year could have pulled it off. With the handicap of not knowing the content but merely the star power of those coming up this year, ‘Kites’ is close. As would a John Abraham starrer; quite a handful here – Aashayein, 1800-Love…
‘Vibrancy’, ‘energy’ and ‘sportiness’ – exactly the qualities of the lead actor of ‘3 Idiots’, Aamir Khan. (The very same qualities used by Parle brand of biscuits endorsed by the same actor; playing a prank on the coach and free running dispersing free cheeky advice on eating healthy.) So, when it came to zeroing in on the synergies between the product placed (the R-Design) and the lead actor (Aamir), the company is bang on. But there is a catch: through the entire duration of the movie (two hours and fifty minutes) in not one scene is it shown Aamir in the car. In fact, the only scene where the star and car are in the same frame is the last one. Those who have seen the movie will remember that here too the actor was shown running away from it (yeah, the owner of the car – a guy a little short of the ‘vibrant, sporty and energetic’ qualities).
Of course, we all know the reason as to why Aamir maintained this safe distance from Volvo; he was till recently endorsing for rivals, Toyota. Whether he still does it remains not known. But what is known is that his endorsing the Innova hasn’t done much for the vehicle. Probably the company could rope him for the recently launched Fortuner (But be careful when they make him say ‘Fulltime 4 wheel drive’. He he he.) If this weren’t the case, Aamir would have made the best fit brand ambassador for the Swedish car-maker. No two thoughts here. And they could have added one more to the ‘Vibrancy, energy, sportiness’ DNA: ‘Class’ as well.
The press release mentioned also smacks of Paul’s worry along the precise same lines. Hence, as an after thought he has added that the film is ‘about the journey two friends undertake in their search for a third compatriot (sic!), played by Aamir Khan (saving grace). The backdrop of the movie is along the length and breadth of India, covering the beauty of the mountainous region of Ladakh….. (blah blah).” Almost reminded me of Che’s ‘Motorcycle Diaries’ and the ok-ok movie adaptation. The best landscape shot is the unending expanse of the clear blue sky against the snow-capped mountains as the car approaches Ladakh. Then, for anyone who visits any biker group website (I am with one and ride alone as well) and checks out their uploaded album, you will find that this particular shot is staple.
In terms of exposure in a Bollywood film (which Paul has rightly called a ‘cult’) it is win-win for Volvo: the vehicle does occupy lots of screen space and movie time. The director has also done a good job in showing the vehicle the way it should be – all muddied and slushed up, communicating vividly that it is an out-and-out rough-out vehicle. Now, if only the company would cease trying a piggy back on the star’s (already used) USPs.
Now for another statement in the same release: “Artistic integrity is crucial for successful brand placements and the utility of the product has to be woven properly into the script..” I have no idea what this one even tries to mean.
In a marked deviation from my earlier blogs where I tried to figure out the best-fit cars for the movies, here I will turn it around – and figure out a best fit movie for the R-Design. This is also because the car has been positioned articulately enough (vibrancy…etc) and the release sounds like the company scouted around for a movie to make a big screen debut. How better could they have done had they looked around better?
Not a single release from last year could have pulled it off. With the handicap of not knowing the content but merely the star power of those coming up this year, ‘Kites’ is close. As would a John Abraham starrer; quite a handful here – Aashayein, 1800-Love…





